
Smile motherfucker.
You are alive.
You are travelling.
In this moment.
Lucky man.
Life is messy.
Real,
Human.
Imperfect.
Like me.
Like you.
Smile motherfucker.
You are alive.
© Paul Andrew Sneddon

Smile motherfucker.
You are alive.
You are travelling.
In this moment.
Lucky man.
Life is messy.
Real,
Human.
Imperfect.
Like me.
Like you.
Smile motherfucker.
You are alive.
© Paul Andrew Sneddon

I woke up one night; I couldn’t breathe.
Taste of blood in my mouth, my lung clawing out.
I opened the thin windows, tried to jam my face through it.
Blue inhaler.
Red inhaler.
Round and round.
I was gasping, sweating.
Give me oxygen.
Give me life.
I felt like a fish on the pier floor:
Desperate,
gasping,
dying.
I opened the back doors.
The cold air held me.
I breathed as deeply as I could.
I coughed,
I spluttered.
I thought about them finding me in the back garden.
I didn’t know what to do.
Keep breathing.
Keep breathing.
But slowly the coughing eased,
And I could breathe again.
Three hours later,
The coughing stopped.
I slept for a couple of hours and went to work.
© Paul Andrew Sneddon
Sometimes I feel like two people.
Surviving the day,
then alive on the page.
Flip the switch.
Words spilling.
My soul expanding,
my mind on fire.
Sparks.
Love.
Meaning.
Could be a song,
a riff,
a smile.
Connection
Light.
Through the alleyways and avenues,
or flying high above the city.
The beach as the waves crash.
A little cottage in the hills.
Or here,
on the front step.
Writing this.
Music playing.
The Rolling Stones.
Flip the switch.
(c) Paul Andrew Sneddon

I thought I was at the end:
the end of time,
the end of life,
the end of the line.
But I was at the beginning.
You’ve got to start somewhere.
I started here, started again, down by the water, the river.
I thought I hallucinated myself on the water of the Clyde,
on a raft, going into the city.
I gave myself a wave as I drifted by.
When I looked over, I smiled a toothless grin.
My eyes were blank, empty.
I saw it on the news: they pulled a body from the river.
Or was it a mannequin?
Sometimes I dream,
in the light hours,
that I am on a boat,
out of the city,
down the coast, home.
I wake up couch surfing in Partick,
or on the bus,
or in the library.
Sometimes you can’t go back.
That little pub on the corner,
drinking away my days,
drinking away my time,
my money,
my looks,
such as they are.
My liver is operating under protest,
much like my mind, much like the rest of me.
Analogue in a digital world,
as I carried on oblivious to the world around me,
as it shrank from the work,
from the stage,
from home to the bar,
to the glass,
the bottle,
the end.
You could leave it there if you like.
But it would be a lie.
That’s not the end of the story.
I’ve seen that story before,
like sickness on the wall,
like piss from the radio,
like blood in the lungs:
grace and love
and blood and tears
and guilt and pain
and forgiveness.
And luck,
lots of luck,
and some bloody stubborn people
that wouldn’t let it go.
Get up,
get up off the floor,
get up you son of a bitch,
get up.
Regret, mistakes,
pain, hurt,
love, forgiveness,
light,
a blinding light,
a hospital bed.
“We can’t keep saving you, man.
The country is on its knees.”
The old guy in the next room, light escaping.
Get up,
get up off the floor.
The nurse, the nurse,
she whispered in my ear,
“Get up you son of a bitch, get up, because I love you.”
I woke up in the house, on our couch.
Heard you calling from garden,
your nurse’s uniform on the line.
Sunshine in your eyes.
I am a lucky one.
© Paul Andrew Sneddon