Blue

Photo by Paul Andrew Sneddon

Part One

The light is fading out,
The shadows have a new lease of life.
I cough once, twice.
I sound like a motorcycle engine starting up.
I breathe in deep,
Fuck.
Fuck this.

The day never started.
I’ve slept.
Not much else.

My lungs feel like concrete.
Every breath is a battle.
Wearing me down.
Wearing me out.

Got the lights down low.

I took the bins out earlier,
Took me an hour to recover.
Heart trying to escape my chest.

Beating like an unreliable drummer.

But I’m here
And I’m grateful
And I’m lucky.

I’m not good at waiting.
Waiting to feel better.
I’d rather be down in the trenches.
A work in progress.

Put some music on.
Close my eyes.

Part Two

How blue can you be?
Pretty fucking blue.
Like the planet.

Or  the guitar by the bed.
I read it’s 620–670 Terahertz,
But it feels more like “Blue Car” by Greg Brown.
The radio just doesn’t do that.
Put the song on.
Let it play.

Down from the mountain.
The smell from her vape still lingers.
Yellow hair.
The way her body felt next to mine.
Those late nights.
Early mornings.
Up all night, watching the sunrise over our little town.
I drive down its old streets, alone at 5:00 AM.

Green.
Yellow.
Red.

Blue.

Waiting.

Watching the birds soaring through the morning sky.
Staying warm.
Or are they out of here?

Am I the only person alive in this whole town?

Waiting for the blue light to change.
Park up.

Walk through the cracked pavements and empty streets,
Alone at the coffee shop.
Everyone fussing about nothing.

Black coffee.
Pure.
Simple.

Sunset, all orange and yellow.
If I could paint, I would paint it.
If I could sing, well I’d be a different person.
I don’t have much.
These words

And the world turns.
And life goes on.
So I sit beneath the darkening sky,
With an old guitar, just missing her for a while.


Part Three

Till I walk along the river
Winding through this town,
Through our lives,
To the bus station,

Lit up in the street lights.
Someone sleeping on the bench
Look at the destinations
Maybe I’ll just

Go

Somewhere.
Anywhere.
She had the choice.
She stayed.
For love.
For me.

I’m moving.

Past all the rows of houses. .
Back to where I belong.

To myself.
To her.


Part Four

Sleeping in our bed.
Her fan on.

Even in the winter -2 outside.

The moonlight above the trees sneaking in the window.

Her skin.
Her touch.

Our bodies together.

Her kiss.
The world fades.
Her.
Me.
Home.


Part Five

We’re in the garden on those two camp seats we bought for the beach.
Speaker playing her favourite band,
I hope they tour again.

Fuck, the world got old.
We’re older too.
But young enough.
And happy.

Her favourite song,
the one she heard at the Chinese restaurant playing country music.
It’s a beauty.

Beneath a blue Ayrshire sky.

Still here.
Still in love.

I hear the snare.
The guitar.
The music.

The big blue beautiful sky.

Let’s dance, while we can.
In this moment.

Part 6

She sat at the table.
Doing a jigsaw.
Cup of coffee.

Worried about the state of the world.

She said:
“Read me something.
Something you wrote.”

I read her:
“Ayrshire Light”
“Context” 

A chapter from “Burn”

She laughed.
She smiled.
Worried what her mum would think.

She said:
You know.

The writing.Is you.

Anyone else.
I probably would have told them to fuck off.
But I told her.
I know.

(c) Paul Andrew Sneddon

Me and the Page

I’m not afraid to tell people that I write.
In fact I’m not sure I give a fuck.

Sitting around worrying what people will think
will hollow you out,
steal the light from your eyes.

You can’t live that way. You shouldn’t live that way.

You are welcome to read.
If you like it then great.
If you don’t then that’s cool too.

But when the sun burns out,
and breathing isn’t easy,

it’s me and the page.

Why am I telling you this?
I’m not.
This is a reminder.
A reckoning.

(c) Paul Andrew Sneddon

130 Tonnes

The light in the darkness you walked towards.
A way out.
Safety.
That was the train rolling down the track,
130 tonnes that can’t turn back,
And you remember,
There are no saviours.
Just you.

The voice that you heard
Said it was on your side.
“Just send us £50,
We’ll make it alright.”
And you remember
There are no saviours.
Just you.

Early morning light,
Looking in my own eyes,
Lines on my face.
There are no saviours.
Just you.

Pulling on my shoes,
Ready or not.

© Paul Andrew Sneddon

Drive Home

Photo by Paul Andrew Sneddon
One 

Some days she loves me.
Some days she hates me.
And some days she can't make up her mind.

I don't blame her,
I understand.
Nobody is perfect.
Least of all me.

So I get up.
Get dressed.
Shirt and tie.
Aftershave.
Paracetamol.

I go to work.
The dealership on the corner.
Clock in.
Clock out.

"I'm buying."
"I'm not buying."
"Does this come with side cameras?"

You like the car?
You buy the car.

I won't rip you off.
Well, you know, we’ve all got to make a living.

In the evening,
I go to the pub.
I drink.
Just enough.

When I come home,
we either sit down to dinner,
like the old days.

Or the house is dark.
She's sleeping.
So I drink.
Lights out.

I don't know what to do.
So I just do.

Two

Some nights,
I drive.
Down into the city.
Past the crowds.

I stop at the cinema,
and watch a film.
No superheroes,
just life.

I drive home.
There's a note,
she is staying at her sister's.

She loves me.
I love her too.

Three

We’re not selling enough cars.
Customers aren't spending,
it's the economy.

The dealership in town is doing well.

I’m called to the office.
I'm selling okay, but I look rough.
Tired.
Crumpled.

Last warning.

I drive home.
She's gone.
She's taken her stuff.

Gone.

I just sit.
On the stairs.
I'm not sure how long.

Put on the TV,
and flick through the channels.
Switch it off.

Front step.
6 years of mortgage payments.
I don't see myself in the pictures from the day we moved in.

Different person,
different life.

So I drive,
to the shore.

But when I get there,
all there is
is sea.

I sit by the water,
an old tree washed ashore.
The wind stirring up a sandstorm.

A dog rushes by,
chasing a ball.
Stupid fucking dog.

He brings it to me.
What?
What do you want?
Big tongue hanging out.
He barks.
I throw it
and he runs off.
Splashing in the water.

He brings it back,
Jumps up at me.
Oh fucks sake.
I throw the ball again,
and a woman rushes over.
"Oh I'm sorry"
She's down the beach after him.

I sit there.
Watch the sun go down.
I drive home.

(c) Paul Andrew Sneddon

Lighting Fires

Walking through the station.
All human life is here.
Someone is playing piano.
Drawing a crowd.

Keep moving.

Gordon street,
Summer light.
People everywhere.

Music playing across the road.

Couple arguing on the corner.

Making my way through the crowd.
Light of the living.

Am I just getting older?

Time without reason.
Or purpose.

But the days that rust
Haven’t got me yet.

The lonely spot,
where you watched them walk away
is history.

Music playing from a basement bar.
Full band busking on Sauchiehall street.

Meeting some friends,
Going to the show.
Band counts it off.

The days that rust
Can fuck off.

Let’s light it up.

(c) Paul Andrew Sneddon